This piece was first published on www.thisfragiletent.com but it seemed relevant to some of our previous discussions about seatree!

Here is my contention; being an artist can have a serious impact on your mental health.

There is a compulsion that drives people who are creative to create. Those of us who find space, finance and time to pursue this compulsion are truly blessed. We are living the dream, right?

But our art, whatever the medium, is a fickle thing. As soon as we think we have it, it flies away. Sometimes it seems that what we are seeking is always just beyond reach.

There are obvious reasons for this, to do with the nature of art, its indefinable qualities and the value we place upon it. How do we know that what we are creating is good? And even if it is good, why is it not better?

Perhaps it is about recognition- but this is dangerous. Few will be honest to our faces.

Perhaps we need to rely on people we trust?

But these people will typically be our peers- making their own art. Art that will be different to ours. Better.

Perhaps then it is about commercial success- the degree to which people buy what we make. But that too is a fools game, for the commercial world has many rules of success that have nothing to do with excellence, or depth of meaning.

Even those who have known a measure of success (however we measure it) tend to be riven with doubts about their ability to repeat it. If a potter has made the perfect pot, a musician the sweetest song, a painter a picture that brings people to tears, the expectancy of everyone is that they will simply do it again. They will have no idea that for each piece of perfection, there have been a hundred pieces that have been mediocre. We start to believe that lightening struck, but can not strike twice.

I think that art arises from unfulfilled yearning. From a longing for encounters with something deeper, something more meaningful, perhaps something beautiful. For many of us, there is a deep satisfaction discovered in process- in the shaping of our raw material. For some too, there is orgiastic release in performance, but ultimately, once the work is done, we have to return to the ordinary mess of our ordinary lives, which are occupied not just by the me-centric nature of creativity, but have to embrace the compromise of community.

If these words are resonating with you, then perhaps you are my sister, my brother, in the family of Almost. Almost finished. Almost good. Almost satisfied.

Perhaps though, as a new year unfolds, it is time to show our artistic selves a little of the compassion we might offer to others. I wrote the list below to myself, and for the rest of the Almosts.

No piece of art is ever perfect. We will all fail more than we succeed.

An unfinished piece is not a piece at all.

What value have the opinions of others anyway? If art is truly great, it will divide opinion almost by definition.

Create first from your heart and soul. It might not be the way to riches, but it is your only truth.

Fear kills creativity. I don’t mean performance anxiety, I mean fear of failure. They are not the same thing.

Money fears are particularly destructive. How much do you need, really?

Sometimes you can, sometimes you can’t. It is the human condition, so get over it. You are not an art robot.

Do it anyway, because what else is there?

Rather than hoping for encouragement, find others to encourage. Regard this as penance for your own self-centredness. Let this create connection.

Collaborate when you can, but don’t be afraid to say no.

There are lots of things more important than art- even though it might not seem like it at times.

Art is not bigger than God for example.

But God can be found in art.

This time of year we often find ourselves taking stock – taking stock to shops and galleries that is! But most of the Christmas madness is already over for us as orders have to be completed well before Christmas, so there is time for the other kind of taking stock…

Inevitably this includes thinking about some of the lovely things we have been part of over the last year; workshops, exhibitions, collaborations. One of the most recent ones was with Scottish Wild Picnics, with whom we put together a full day of pottery, with superb food and hot chocolates around a hot fire. The photo’s do not do it justice.

 

 

This was so lovely that we intend to do it again in the springtime. Watch this space…

 

 

As autumn unfolds to winter, things become less busy in the studio. Many galleries close for a while, giving their hard-pressed curators some time for rest. For us, this is precious time to think, to create new things. We hope to use it well, because there are always distractions…

 

 

Time to take stock…

In creating this new website, we moved some old blogs articles and it felt quite nostalgic looking back to when we first started, working out of our old cellar, developing business and pottery skills with Pauline – and now, here we are, Chris and I working together on our business at home and making ends meet…

It’s amazing to look back at how things have developed and we feel so blessed to be giving this a go. We are hoping though to build on our sales, to be ready to take on another exhibition if the chance arose, to look for more opportunities to work on larger commissions. It’s quite exciting really to be ready for those things. We were disappointed recently not to get the chance to take on an artist residency we saw advertised for the summer – but exciting just entertaining the possibility – who knows what the future holds.

So, step one, improve the website and update the Etsy shop (ongoing).

Step two, build another polytunnel to make ourselves as self-sustainable as possible and keep our bills down (done).

Step three, contact some more galleries and shops that might want to stock our work (on going)

Step four, keep our eyes peeled for more opportunities to develop what we do (on going).

Step five, sort out new chicken coop (done).

And step six, speak nicely to our friends and followers – without your support, we wouldn’t be doing this – every like on facebook, every share, every kind word about what we make – it keeps us going! Thank you for your orders and purchases and thank you to the galleries for supporting us – but thank you too for all the other ways you support us – we couldn’t do it without you!

 

Now for the next leg of the journey…

 

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Happy November one and all – where did the time go? We are loving autumn and the beautiful colours and it’s easy to be inspired while we are busy in our studios getting ready for you know what…

We would love to invite you to join in the fun!

We have this beautiful advent calendar for sale – the box was made by Chris and the 24 advent stars by me – a family keepsake. It is £100 (plus postage is required) – shout out if you would like to purchase this – it’s a one-off piece and won’t be repeated…

If you would like to make your own decorations instead, I am taking bookings at a time and date that suits you – £20 per person for eight decorations- if six people book in together then one place is free, so get a groups of pals together for a fun creative hour or so.

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Personalised decorations

If you would like to make more of a day of it we have two opportunities coming up…

Saturday 24th November – Craft Your Christmas at the beautiful Portavadie marina – £70 for the day which includes a ceramic making session with me, a floral wreath-making workshop with Borealis Flowers and a delicious lunch…

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Saturday 1st December – Eat, Make and Be Merry in our cosy studio making winter treats like tealight holders and tree decorations – and with an outdoor winter picnic provided by the wonderful Scottish Wild Picnics – think warm foods and blankets and hot chocolate…

eat make and be merry

Sunday 2nd December – our lovely day at the lovely Briggait in Glasgow as part of Etsy Made Local. We hope you can come and visit us there – if you do, please make yourself known to us!

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Saturday 9th December – we will have our own Christmas shopping event – we will have our pottery, poetry and driftwood makes for sale along with refreshments and a raffle… we have a wee gift for the first ten people to visit (12-4pm)!

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Well, that’s busy old time! If you prefer a quiet chat, a browse at the studio, would like a personalised order or a quiet making session of your own, just drop us a line…

Happy November! Enjoy the autumn sunshine…

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Thank you so much to everyone who came along and showed their support at Cowal Open Studios last weekend. Hello to the new email followers! Thanks too to everyone who purchased from us or booked into workshops. We look forward to seeing you over the next few weeks.

Speaking of workshops, if you are interested in finding out more…

… click on the blue for more information

Friday evening’s workshop gives you the chance to make a plant pot and saucer… £25

Kids and Clay starts back on October 26th after school… £30 for three weeks.

Teen Times starts back on October 20th on Saturday mornings… £50 for five weeks.

Don’t miss out on our really special day on Saturday December 1st…
Eat, Drink and Be Merry – in conjunction with the lovely Scottish Wild Picnics..

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… sorry to mention the ‘C’ word, but

We are busy preparing for the coming season!

Call by any time if you are local. Alternatively, we sell on Etsy...

We will also be at the Briggait again for Etsy Made Local on Sunday December 2nd and have our own pottery sale at the studio on Saturday December 8th.

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We have vouchers too which can be any value and used for purchases or for workshops – ideal for Christmas gifts!

Meanwhile – do keep in touch with us! Sometimes we get so busy making for orders and shops that we forget to tell you what we’re up to, so give us a nudge every now and then and tell us your news…
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​… and anyway, it’s ‘us’ now rather than ‘me. Chris has joined me in being much more a part of the seatree life which is fabulous. Since I last blogged, we have been very busy. One of the things we are involved with for 2018 is an exhibition… very daunting and exciting. Here is the blog we are writing in the run-up to the exhibition, along with the gallery owners…

Please do check it out and keep in touch as things progress…

 

​ A popular little pot that we make are the sea creature pots. They are fun to make, if a little fiddly. Making pinch pots is an ancient pottery technique and one that lives on. A ball of clay, once kneaded, is rolled into a ball and using thumb, forefingers and palm of hand is shaped into a wee pot. I make these nesting pots by measuring out the clay.

Decorating the pots

​The pots are shaped and left to dry for a little while before smoothing and before I add in the wee creatures – fish, jellyfish and starfish. According to my marine obsessive son the jelly fish are not anatomically accurate, being a mixture of the body of one and the tentacles of another. I could remedy that in my next batch, although the colours presumably aren’t accurate either…

 

Pottery workshops

 

​My latest pots were made during a workshop with these two lovely women. They were concentrating so hard that I had the chance to make my own alongside theirs. Our pots are just fired and waiting to be glazed.

I ran a workshop recently too with a great bunch of young people at the Help Project in Dunoon. These are the pots they made together which show great promise I think. I am looking forward to doing more pottery with them soon.

 

Hey Clay!

​Another recent workshop was Hey Clay! which is a national event one weekend every year organised by the Craft Council. Our doors were opened for two days and over thirty folks came along for a taster session in pottery. Here are some of the pots made…

 

​ Such a simple pot and yet can be created and taken in any direction…

One of the joys and challenges of running your own pottery business is learning how to work with galleries. Each gallery has a different way of working but there is one thing that is consistent and that is the need for communication – finding out who owns the gallery and how they would like to be approached, keeping in touch while working on orders, thanking owners for payments received, all good manners and good business.

 

Blairmore Gallery

One of the galleries we sell at is the lovely Blairmore Gallery here on the Cowal Peninsula. I have been lucky to meet Ciorsdan (promounced Kirsten) on a few occasions now, including on training courses for social media. It was great to be paired with Ciorsdan so we could support and advise and encourage one another – me from the artist’s point of view and Ciorsdan from the gallery owners point of view – while looking at our blogs, websites and social media pages. I really appreciated Ciorsdan’s kindess.

Blairmore Gallery is in an idyllic spot on the shores of Loch Fyne and sells work from local and other Scottish artists. It is well worth a visit, to browse arts and crafts or to sample the tasty cakes and coffee.

Every gallery experience has been different – what is appreciated and / or sells in one place might not be appreciated in another. It can be a case of trial and error and learning to roll with that is tough at the beginning, but worth working through so that we all have a better experience as we go along, artist, owner and customer. It is about not making it personal while somehow keeping it personal.

 

​If you are reading this with a view to contacting galleries yourself, there is a really helpful blog here – it is from the generous gallery owner at Inchmore Gallery, which will soon be exhibiting our seatree crafts too – very exciting. After such a long gap without my own studio, I am playing catch-up now with orders but hopefully will be working on their order before too long.

Wishing you all the best in your gallery work too.

Building a studio

For a change, instead of a pottery work in progress I thought I would show you the progress of the shed which has taken up so much of our time, energy and money for the last few months – all worth it, I hasten to add!

 

Demolition

First things first – getting the old sheds out of the way. Despite the rotten floors, mice nests and smashed windows the shed was very strong and had an iron structure in part of it. It took us a long time to take off boarding, remove windows and wiring, bag up the old and mouldy insulation and then, a couple of days of the actual demolition. I didn’t expect the time it would take, nor the big clear up of the lawn of scraps of insulation, wood and nails. We had marvellous help from our marvellous friends and I think we owe them a pot or two…

 

Rebuilding

Rather than being able to put a shed up where we had taken one down, as I had naively thought at the beginning, we had to start all over again. Filling in a big hole in the patio area, laying new foundations, building concrete blocks up to create a level on our sloping lawn and finally building a wooden structure to hold the shed base.

We designed the shed that we wanted – three rooms – a woodshed, a storage space and a pottery studio. We have two doors, one onto the patio area for pottery workshops and visitors, one for Chris and his sawdusty feet. We also have plenty of windows – having worked at the old house in the basement I was desperate for a studio space with light and a view!

 

Designing a studio space

All of that took heaps of time and work – thankfully the Argyll winter has been fairly mild and we managed to be working outdoors for a lot of the time. Then we had to wait – booking in with Beaver Timber in Oban to bring us down our shed now we were ready….

The shed is much yellower than we expected. What colour shall we paint it? And the inside now needed to be fitted out with insulation and boarding, then painting and then the electrics – another couple of weeks of work and waiting and with some brilliant assistance from dae-it-yersel in Dunoon – possibly the best customer service possible. Alasidair Mirrlees cheerfully worked on our electrics and now we have power! We were so glad to get all our gear unpacked and get ready to get stuck in. A big thank you to Pauline at Sea Drift Pottery for letting me share her space in the meantime.

I spent Friday afternoon putting up my collection of arty postcards and such like and painting myself a blackboard area – all the arty stuff I have been planning for months. And then Saturday was our first full day in the shed. Do come and visit us – but be warned, we are taking a snap of our visitors for our Instagram page. Here are a few snaps of our first finished piece this weekend, our first visitors and a the space starting to look lived in…

 

Frequently asked questions – pottery

​ Ever wondered how long it takes to make something in clay? It is the most popular question asked but such a hard question to answer. First thing is of course that you get quicker as you get more practiced. The first time you make a piece, you are experimenting and trying and fiddling and sitting staring into space. Once you have created something you like you get quicker. But you don’t want to devalue what you are doing when someone asks that question by saying, “Oh, not long!”

Planning and designing

​ The reality is that a lot of the work is done in the thinking, sketching, experimenting and making mistakes. And photographing. I so love the lines in the shore. After our house move too I find myself drawn to the beauty of the oak trees in our garden and the glimpses of water through them and the expanses of sky above them. Watch this space…

Getting the clay ready

​Practically… clay comes in many different forms and even the same clay (in my case white earthenware) can be sometimes very sticky and sometimes a bit drier. So the first thing is to get some out of the bag and knead and pummel it to get it smooth and free of air bubbles. This is crucial.

Clay scraps, the bits I haven’t used or the bits that went wrong, all get thrown into the bucket of doom and soaked in water. At some point it can all be messily taken out of the bucket and onto a board to dry out, be put back into a bag then used again. Magic. No waste. This clay needs even more kneading and wedging and work to ensure it is free of lumps and bubbles.

I can then roll it out thickly to dry off a little. These are called slabs. Sometimes I can start work on a slab straightaway but more often than not I have slabs drying. You have to watch that they don’t dry too much so at some point they need wrapping in plastic ready for use.

 

Making a vase

​For a poetry piece, like the vase above, once the slab is ready, it needs rolling some more so it is the right thickness. Sometimes I use guides so that it is a particular thickness, such as when I make tiles, but more often I do it by feel and look. I can then add my lines and dots and words and designs. Each letter is put in individually. Sometimes I aim for straight lines, sometimes rolling lines of words; it depends on the poem and the mood really.

Once the individual pieces are made they need fixing together – sometimes that means waiting again until the clay is much drier, maybe leather-hard. The edges are scored and sticky slip is added as a kind of glue. Slip is watered down clay. The pieces can then be joined and then more work is done to make the edges and joins look smooth and finished. The top edge then needs to be worked on so it looks neat and fine and any inside joins need to be worked on to make sure there aren’t any gaps where water could escape or any rough edges. Glaze hides a lot but not everything.

 

Firing ceramics

​Almost there? The piece is made and now needs to dry out completely If there is moisture int he clay still, it can explode in the kiln. that’s a messy business. It might take a day to dry, or less if it’s really warm weather. You can’t dry it too quickly though as it might crack. If I have the log burner on I might wrap my pieces in plastic and let them dry slowly to protect them. Left alone, it still might take a week or longer if the piece is very heavy and the weather is damp and cold.

Once dry the pieces can go in the kiln for their bisque firing – the first one, that turns clay into ceramic – not yet waterproof but certainly hard. Until that point the clay is very fragile. I once spent two hours making a bowl the picked it up by the top edge to put it in the kiln to find one bit still in my hand and the rest on the floor. The bisque firing might take eight to ten hours, depending on the clay. It then will be the next day before the kiln is cool enough to open.

The kiln is opened with great trepidation – any air bubbles will mean there was an explosion and that often takes other pieces with it. Sad days. But usually all is well, and the pieces can be taken out ready for glazing…

 

Glazing and firing pots

​Glazing – once you have decided on the colour, you can reach for a pot of the shelf that is ready mixed, you can reach for the bag of powder, add water and start glazing, or you can make your own – the most fun bu the most time-consuming. I love it though – it’s like chemistry at school but you are making colour and art…

How long the actual glazing takes will depend on how big your piece is and how complex the design is. Usually each glaze needs to be applied to two or three coats, even the transparent glazes.

The pieces then get stacked very, very carefully in the kiln – no glazed side can touch the kiln shelf or another piece or they will be welded forever. Another day in the kiln and another overnight wait and then… ta da.. that piece that didn’t take very long at all!